Native Studies Keywords explores selected concepts in Native Studies and the words commonly used to describe them, words whose meanings have been insufficiently examined. This edited volume focuses on the following eight concepts: sovereignty, land, indigeneity, nation, blood, tradition, colonialism, and indigenous knowledge.
Joseph A. Dandurand is a member of Kwantlen First Nation located on the Fraser River about twenty minutes east of Vancouver. He resides there with his three children Danessa, Marlysse, and Jace. Joseph received a Diploma in Performing Arts from Algonquin College and studied Theatre and Direction at the University of Ottawa. Joseph is the Heritage/Lands Officer for his people and has been performing his duties for 20 years now. He has been tasked with protecting his people’s heritage from the many destructive elements of development in the Kwantlen territory.
Bearskin Diary: A Novel is the 2017-2018 title selected as the winner for First Nation Communities READ. Carol Daniels is the author and the publisher is Nightwood Editions. Raw and honest, Bearskin Diary gives voice to a generation of First Nations women who have always been silenced, at a time when movements like Idle No More call for a national inquiry into the missing and murdered Aboriginal women.
Wrist, published by Kegedonce Press, is a scary story told about an Indigenous monster-like creature by author Nathan Niigan Noodin Adler. Nathan Adler is a writer and an artist who works in many different mediums, including audio, video, film, drawing & painting, as well as glass. He is an MFA candidate for Creative Writing from UBC, currently works as a glass artist, and is working on a second novel and a collection of short stories. He is a member of Lac Des Mille Lacs First Nation, and currently resides in Mono, Ontario.
The Right to Be Cold: One Woman's Story of Protecting Her Culture, the Arctic, and the Whole Planet is a human story of resilience, commitment, and survival told from the unique vantage point of an Inuk woman who, in spite of many obstacles, rose from humble beginnings in the Arctic community of Kuujjuaq, Quebec—where she was raised by a single parent and grandmother and travelled by dog team in a traditional, ice-based Inuit hunting culture—to become one of the most influential and decorated environmental, cultural, and human rights advocates in the world.
From one of Canada's most recognized poets, Witness, I Am delves into the critical issue of Missing and Murdered Indigenous Women through the retelling of an atayohkewin, a Cree Sacred Story; builds on the autobiographical arc of Gregory Scofield's eight collections of poetry; and reimagines Metis identity and belonging as contemporary sound poetry, weaving the personal and universal into a tapestry of sharp poetic luminosity. Longlisted title on the 2017 First Nation Communities Read program.
The Red Files is inspired by family and archival sources, Lisa Bird-Wilson assembles scraps of a history torn apart by colonial violence. The poetry collection takes its name from the federal government's complex organizational structure of residential schools archives, which are divided into black files and red files. In vignettes clear as glass beads, her poems offer affection to generations of children whose presence within the historic record is ghostlike, anonymous and ephemeral.
Shannon Webb-Campbell's Still No Word seeks the appearance of the self in others and the recognition of others within the self. Patient, searching, questioning, and at times heartbreaking - these poems reveal the deep past within the present tense and the interrelations that make our lives somehow both whole and unfinished. And though Webb-Campbell is political at times, this is not politics for the sake of politics: here, it's a matter of the human heart. Ranging from reflective to angry, from sensual to humourous, her poetry inhabits that mercurial space between the public and the priv