The Stone Gift by children's author Deborah L. Delaronde brings a young adult fantasy novel for teen readers. Sixteen-year-old D.J. awakens from a coma with no memory of who he is or what happened to him. All he knows is that he was severely beaten and his face is disfigured. D.J.'s grandmother places an unearthly stone necklace around his neck and he begins to recover at a rapid pace. When D.J. has visions about a boy named Jeff and his friend Tim, he starts to piece together the events that landed him in the hospital.
From one of Canada's most recognized poets, Witness, I Am delves into the critical issue of Missing and Murdered Indigenous Women through the retelling of an atayohkewin, a Cree Sacred Story; builds on the autobiographical arc of Gregory Scofield's eight collections of poetry; and reimagines Metis identity and belonging as contemporary sound poetry, weaving the personal and universal into a tapestry of sharp poetic luminosity. Longlisted title on the 2017 First Nation Communities Read program.
The Red Files is inspired by family and archival sources, Lisa Bird-Wilson assembles scraps of a history torn apart by colonial violence. The poetry collection takes its name from the federal government's complex organizational structure of residential schools archives, which are divided into black files and red files. In vignettes clear as glass beads, her poems offer affection to generations of children whose presence within the historic record is ghostlike, anonymous and ephemeral.
You Can't Make Me is a title in High Interest Publishing's (HIP) MainStream series of High Interest young adult novels. Written by Metis author Ashley Hayden, this easy to read novel features a Metis teenage boy who gets in trouble with the law while trying to impress his friends and ends up with a summer of tough love at his grandfather’s rural cabin. That summer, and a terrible encounter with a supernatural creature, changes his life. This story combines a contemporary coming-of-age story with the traditional scary Roogaroo, a wolf-like monster from Metis stories.
Totem Poles and Railroads 2017 FNCR succinctly defines the 500-year-old relationship between Indigenous nations and the corporation of Canada. In this, her fifth poetry collection, Janet Rogers expands on that definition with a playful, culturally powerful and, at times, experimental voice. She pays honour to her poetic characters - real and imagined, historical and present day - from Sacajawea to Nina Simone.
A Gentle Habit: a book of short stories by Metis author Cherie Dimaline includes six moving short stories. Inspiration for the collection comes from American poet Charles Bukowski who wrote “In between the punctuating agonies, life is such a gentle habit.” Following this theme of extraordinary ordinariness, A Gentle Habit is a collection of six new short stories focusing on the addictions of a diverse group of characters attempting normalcy in an unnatural world.
In her second collection of poetry, Passage, Gwen Benaway examines what it means to experience violence and speaks to the burden of survival. Traveling to Northern Ontario and across the Great Lakes, Passage is a poetic voyage through divorce, family violence, legacy of colonization, and the affirmation of a new sexuality and gender. Previously published as a man, Passage is the poet’s first collection written as a transwoman. Striking and raw in sparse lines, the collection showcases a vital Two Spirited identity that transects borders of race, gender, and experience.
Just Pretending is Bird-Wilson’s first short story collection, though she has previously published a book of nonfiction. This Métis author works for he Gabriel Dumont Institute in Saskatoon. In this short story collection the question of identity appears in all the 22 stories. Additional themes include belonging/not belonging, Aboriginal adoption, loss and abandonment, regret and insecurity. A deadbeat dad tries to reconnect with his daughter after 22 years away. A selfish poet has been scarred by an upbringing that leaves him emotionally distant from his children and spouse.
Living on the Land: Indigenous Women's Understanding of Place, examines how patriarchy, gender, and colonialism have shaped the experiences of Indigenous women as both knowers and producers of knowledge. From a variety of methodological perspectives, contributors to the volume explore the nature and scope of Indigenous women’s knowledge, its rootedness in relationships both human and spiritual, and its inseparability from land and landscape.