The Fortune Teller's Daughter: Fortune & Fall Book One tells the story of Cora who returns home to find her mother missing and a large pool of blood covering the floor. Desperate for answers Cora must now leave her home and stay at a teen shelter in her community. Cora is soon to turn sixteen and plays for her local high school lacrosse tea. After just learning the scout for the Iroquois Nationals team is impressed with Cora's lacrosse skills, Cora is sent reeling and confused. Cora's mom is the community's fortune teller despite Cora's objections.
In the young adult novel, The Skeleton Key by Sara General, Cruz has made no secret of his desire to sever ties with his vampire sire. But when he brings old Haudenosaunee manuscripts to Brantwood University, intent on exploring their secrets, Rowen can't help but feel betrayed. Determined never to speak to him again, Rowen vows to concentrate on her healer training. But when Cruz's friend and fellow researcher is found brutally murdered, Rowen is drawn back to his side.
Totem Poles and Railroads 2017 FNCR succinctly defines the 500-year-old relationship between Indigenous nations and the corporation of Canada. In this, her fifth poetry collection, Janet Rogers expands on that definition with a playful, culturally powerful and, at times, experimental voice. She pays honour to her poetic characters - real and imagined, historical and present day - from Sacajawea to Nina Simone.
The Clay We Are Made Of: Haudenosaunee Land Tenure on the Grand River is written by Susan M. Hill, a Haudenosaunee citizen (Wolf Clan, Mohawk Nation) and resident of Ohswe:ken (Grand River Territory). She is an associate professor of History and the Director of First Nations Studies at University of Western Ontario. The book presents a revolutionary retelling of the history of the Grand River Haudenosaunee from their Creation Story, through European contact, to contemporary land claims negotiations.
Living on the Land: Indigenous Women's Understanding of Place, examines how patriarchy, gender, and colonialism have shaped the experiences of Indigenous women as both knowers and producers of knowledge. From a variety of methodological perspectives, contributors to the volume explore the nature and scope of Indigenous women’s knowledge, its rootedness in relationships both human and spiritual, and its inseparability from land and landscape.
Dreaming in Indian: Contemporary Native American Voices is a visually stunning, and thought-provoking anthology featuring the work 64 First Nations, Inuit, and Métis artists. 46 First Nations, Inuit, Métis, and Native American established and first-time authors, musicians, poets, filmmakers, photographers and creative thinkers all considering identity, authentic voice, and honesty. This collection, published by Annick Press, marks a turning point in Aboriginal young-adult creative non-fiction.
Testimony: A Memoir is the 2016 publication from singer, songwriter Robbie Robertson. On the fortieth anniversary of The Band’s legendary The Last Waltz concert, Robbie Robertson tells his own story of the band that changed music history, his extraordinary personal journey, and his creative friendships with some of the greatest music artists of the last half-century. This memoir, written over five years of reflection, Robbie Robertson employs his unique storyteller’s voice to weave together the journey that led him to some of the most pivotal events in music history.