Go Show the World: A Celebration of Indigenous Heroes is a much anticipated children’s picture book by musician, reporter, and politician Wab Kinew. The brightly illustrated picture book celebrates fourteen historical and contemporary men and women from Canadian and American Indigenous heroes who have made outstanding contributions to their communities as well as their respective Nations. Kinew is a hip-hop artist and uses his rhyming talents to acknowledge the various achievements of Sacagawea, Waneek Horn-Miller, Carey Price, Ted Nolan, John Herrington, Beatrice Culleton Mosionier, Jim
It's Time for Bed is a universal parent-child nightly ritual in picture book format published by Inhabit Media. But in the Canadian Arctic there are far too many exciting things to do and see when a young girl is told it is time to prepare for bed. Siasi does not want to brush her teeth or put away her toys. She just wants to play with the Arctic animals. Siasi tells her mother she wants to dance with a polar bear, or howl with wolves or even swim with fish. And she does not want to go to bed. Mother remains patient and asks her reluctant daughter after every excuse, are you ready for bed?
Sweetest Kulu, a charming bedtime poem, written by acclaimed Inuk throat singer Celina Kalluk describes the gifts given to a newborn baby by all the animals of the Arctic. Lyrically and tenderly told by a mother speaking to her own little Kulu, an Inuktitut term of endearment often bestowed upon babies and young children, this visually stunning book is infused with the traditional Inuit values of love and respect for the land and its animal inhabitants. Author Celina Kalluk was born and raised in Resolute Bay, Nunavut.
Once in a Blue Moon is a fictional account told in simple rhyming verse about the rare appearance of a blue moon. A blue moon is a second full moon in a calendar month. The author who identifies as Metis is also the illustrator for this book suggested for primary level students. Published by Groundwood Books in 2017. Selected for the 2018 FNCR longlist for First Nation Communities Read.
Joseph A. Dandurand is a member of Kwantlen First Nation located on the Fraser River about twenty minutes east of Vancouver. He resides there with his three children Danessa, Marlysse, and Jace. Joseph received a Diploma in Performing Arts from Algonquin College and studied Theatre and Direction at the University of Ottawa. Joseph is the Heritage/Lands Officer for his people and has been performing his duties for 20 years now. He has been tasked with protecting his people’s heritage from the many destructive elements of development in the Kwantlen territory.
From one of Canada's most recognized poets, Witness, I Am delves into the critical issue of Missing and Murdered Indigenous Women through the retelling of an atayohkewin, a Cree Sacred Story; builds on the autobiographical arc of Gregory Scofield's eight collections of poetry; and reimagines Metis identity and belonging as contemporary sound poetry, weaving the personal and universal into a tapestry of sharp poetic luminosity. Longlisted title on the 2017 First Nation Communities Read program.
The Red Files is inspired by family and archival sources, Lisa Bird-Wilson assembles scraps of a history torn apart by colonial violence. The poetry collection takes its name from the federal government's complex organizational structure of residential schools archives, which are divided into black files and red files. In vignettes clear as glass beads, her poems offer affection to generations of children whose presence within the historic record is ghostlike, anonymous and ephemeral.
Shannon Webb-Campbell's Still No Word seeks the appearance of the self in others and the recognition of others within the self. Patient, searching, questioning, and at times heartbreaking - these poems reveal the deep past within the present tense and the interrelations that make our lives somehow both whole and unfinished. And though Webb-Campbell is political at times, this is not politics for the sake of politics: here, it's a matter of the human heart. Ranging from reflective to angry, from sensual to humourous, her poetry inhabits that mercurial space between the public and the priv