As Long As Grass Grows: The Indigenous Fight for Environmental Justice, from Colonization to Standing Rock by Dina Gilio-Whitaker, a member of Colville Confederated Tribes, explores the fraught history of treaty violations, struggles for food and water security, and protection of sacred sites, while highlighting the important leadership of Indigenous women in this centuries-long struggle or Indigenous environmental justice.

Black Water is David Alexander Robertson's autobiography. The son of a Cree father and a non-Indigenous mother, David A. Robertson was raised with virtually no knowledge or understanding of his family’s Indigenous roots. His father, Don, spent his early childhood on a  trapline in the bush northeast of Norway House, Manitoba, where his first teach was the land. When his family was moved permanently to a nearby reserve, Don was not permitted to speak Cree at school unless in secret with his friends and lost the knowledge he had been gifted while living on his trapline.

In this deeply engaging oral history, Doug Williams, Anishinaabe elder, teacher and mentor to Leanne Betasamosake Simpson, recounts the history of the Michi Saagiig Nisnaabeg, tracing through personal and historical events, and presenting what manifests as a crucial historical document that confronts entrenched institutional narratives of the history of the region.

Contes, légendes et mythes ojibwés, escrit par Basil Johnston et traduit de l’anglais par Berthe Fouchier-Axelsen. Selon la légende, Nanabush était le fils d’une femme, Winona, et d’un esprit (Vent d’Ouest). Il possédait de nombreux pouvoirs et c’est ainsi qu’il dota les Ojibwés de l’art de conter. De nombreux contes, alors, ont dû se raconter dans ces temps mythiques. Et depuis lors, ils se sont transmis oralement de siècle en siècle.

Indigenous Women’s Theatre in Canada: A Mechanism of Decolonization by Sarah MacKenzie, an Anishinaabe/Métis/Scottish, feminist scholar and activist, writes that despite a recent increase in the productivity and popularity of Indigenous playwrights in Canada, most critical and academic attention has been devoted to the work of male dramatists, leaving female writers on the margins.

Braiding Sweetgrass has been updated with a new introduction from Robin Wall Kimmerer, an enrolled member of the Citizen Potawatomi Nation. In this bound in stamped linen cloth with a bookmark ribbon and a deckled edge, this second edition features five brilliantly colored illustrations by artist Nate Christopherson. Drawing on her life as an Indigenous scientist, and as a woman, Robin Wall Kimmerer shows how living beings - asters and goldenrod, strawberries and squash, salamanders, algae, and sweetgrass—offer us gifts and lessons, even if we've forgotten how to hear their voices.

mahikan ka-onot by Duncan Mercredi, who was born in Misipawistik (Grand Rapids) Manitoba to a Métis father and Cree mother; and edited by Warren Cariou, who was born in Meadow Lake, Saskatchewan into a family of Métis and European heritage. is a collection of Duncan Mercredi's poems from 1991 to recent unpublished poems.

Rougarou is the French translation of Empire of Wild by Cherie Dimaline, Metis; traduit par Lori Saint-Martin et Paul Gagné. Dans Rougarou Joan a le cœur brisé. Voilà plus d’un an qu’elle s’épuise à chercher son mari, Victor, qui a disparu dans la nuit dès leur première dispute, le soir où il a suggéré de vendre à des promoteurs la terre ancestrale qu’elle a héritée de son père. Depuis, elle sillonne les routes de la baie Géorgienne, bien décidée à savoir si Victor est mort ou s’il l’a simplement laissé tomber, comme le pensent sa famille et tout le village métis d’Arcand.

A History of Kindness is a collection of poems from Linda Hogan, a Chickasaw poet, novelist, essayist, playwright, teacher, and activist. A History of Kindness explores new and old ways of experiencing the vagaries of the body and existing in harmony with earth's living beings. 

In Literatures, Communities, and Learning: Conversations with Indigenous Writers, Aubrey Jean Hanson, a member of the Métis Nation of Alberta, gathers nine conversations with Indigenous writers about the relationship between Indigenous literatures and learning, and how their writing relates to communities. In this book Aubrey Jean Hanson show how Indigenous literatures matter in the resurgence of healthy Indigenous communities.