Dans Le Grand retour: Le réveil autochtone par John Ralston Saul et traduit par Daniel Poliqui, nous raconte l’histoire du Canada de manière que nous puissions mieux comprendre le présent – et mieux préparer l'avenir. Il y a toujours une bonne part d’inconfort dans les « moments historiques », nous prévient John Saul en nous exhortant à embrasser et à soutenir la résurgence des peuples autochtones sur la scène politique.
The Evolution of Alice is a reissued edition of The Evolution of Alice previously published in 2014. The author is David Alexander Robertson, of Swampy Cree heritage. This reissue features a new chapter by the author and a foreword by Shelagh Rogers. In this story, Alice is a single mother raising her three young daughters on the rez where she grew up. Life has never been easy, but she's managed to get by with the support of her best friend, Gideon, and her family.
This Place: 150 Years Retold includes a variety of historical and contemporary stories that highlight important moments in Indigenous and Canadian history. It introduces students to the unique demographic, historical, and cultural legacy of Indigenous communities, and explores acts of sovereignty and resiliency.
As Long As Grass Grows: The Indigenous Fight for Environmental Justice, from Colonization to Standing Rock by Dina Gilio-Whitaker, a member of Colville Confederated Tribes, explores the fraught history of treaty violations, struggles for food and water security, and protection of sacred sites, while highlighting the important leadership of Indigenous women in this centuries-long struggle or Indigenous environmental justice.
Black Water is David Alexander Robertson's autobiography. The son of a Cree father and a non-Indigenous mother, David A. Robertson was raised with virtually no knowledge or understanding of his family’s Indigenous roots. His father, Don, spent his early childhood on a trapline in the bush northeast of Norway House, Manitoba, where his first teach was the land. When his family was moved permanently to a nearby reserve, Don was not permitted to speak Cree at school unless in secret with his friends and lost the knowledge he had been gifted while living on his trapline.
In this deeply engaging oral history, Doug Williams, Anishinaabe Elder, teacher and mentor to Leanne Betasamosake Simpson, recounts the history of the Michi Saagiig Nishnaabeg. Through personal and historical events, Gidigana Migizi (Doug Williams) traces and presents what manifests as a crucial historical document that confronts entrenched institutional narratives of the history of the region.
Contes, légendes et mythes ojibwés, escrit par Basil Johnston et traduit de l’anglais par Berthe Fouchier-Axelsen. Selon la légende, Nanabush était le fils d’une femme, Winona, et d’un esprit (Vent d’Ouest). Il possédait de nombreux pouvoirs et c’est ainsi qu’il dota les Ojibwés de l’art de conter. De nombreux contes, alors, ont dû se raconter dans ces temps mythiques. Et depuis lors, ils se sont transmis oralement de siècle en siècle.
Indigenous Women’s Theatre in Canada: A Mechanism of Decolonization by Sarah MacKenzie, an Anishinaabe/Métis/Scottish, feminist scholar and activist, writes that despite a recent increase in the productivity and popularity of Indigenous playwrights in Canada, most critical and academic attention has been devoted to the work of male dramatists, leaving female writers on the margins.
mahikan ka-onot by Duncan Mercredi, who was born in Misipawistik (Grand Rapids) Manitoba to a Métis father and Cree mother; and edited by Warren Cariou, who was born in Meadow Lake, Saskatchewan into a family of Métis and European heritage. is a collection of Duncan Mercredi's poems from 1991 to recent unpublished poems.