In Search of April Raintree is the story of two Métis sisters growing up in Winnipeg, Manitoba. After the girls are removed from their family, they are sent to separate foster homes. Métis writer Beatrice Culleton Mosionier recounts their struggle with loss, violence, racism, and search for identity in this moving narrative. This novel has become an important text in recent Canadian literature. This new critical edition includes the complete text of the novel and ten original essays.
Knowing Native Arts by Nancy Marie Mithlo, Chiricahua Apache, discusses the significance of Indigenous arts in national and global milieus. Knowing Native Arts is written from the perspective of a senior academic and curator traversing a dynamic and at turns fraught era of Native self-determination, providing a critical appraisal of a system that is often broken for Native peoples seeking equity in the arts.
In Warrior Life: Indigenous Resistance and Resurgence, Pamela Palmater, Mi'kmaw lawyer, author, speaker and activist, addresses a range of Indigenous issues — empty political promises, ongoing racism, sexualized genocide, government lawlessness, and the lie that is reconciliation — and makes the complex political and legal implications accessible to the public.
Love After the End edited by Joshua Whitehead, Oji-Cree/nehiyaw, Two-spirit, Indigiqueer member of Peguis First Nation (Treaty 1), is an anthology of queer Indigenous speculative fiction. This groundbreaking fiction collection showcases a number of new and emerging 2SQ (Two-Spirit and queer) Indigenous writers from across Turtle Island. These visionary authors show how queer Indigenous communities can bloom and thrive through utopian narratives that detail the vivacity and strength of 2SQness throughout its plight in the maw of settler colonialism's histories.
Land-Water-Sky / Ndè-Tı-Yat’a by Katłıà, a Dene woman from the Northwest Territories is the story of a vexatious shapeshifter who walks among humans. Shadowy beasts skulk at the edges of the woods. A ghostly apparition haunts a lonely stretch of highway. Spirits and legends rise and join together to protect the north.
ohpikinâwasowin/Growing a Child: Implementing Indigenous Ways of Knowing with Indigenous Families is edited by Ralph Bodor; Avery Calhoun; Leona Makokis, Elder and member of the Kehewin Cree Nation; and Stephanie Tyler. In ohpikinâwasowin/Growing a Child contributors to this collection invert the long-held, colonial relationship between Indigenous peoples and systems of child welfare in Canada. Western theory and practice are over-represented in child welfare services for Indigenous peoples, not the other way around.
First published in 2000, Angel Wing Splash Pattern is where Richard Van Camp’s love of the short story began. In these stories he demonstrates the range of his talent and the pursuit of excellence in his craft as a writer and storyteller. Richard Van Camp is a proud Tłįchϙ Dene from Fort Smith, NWT. In Angel Wing Splash Pattern Richard Van Camp celebrates life in northern Canada where the stories are playful, moving, and starkly honest in their portrayal of contemporary Indigenous life. There is pain in these stories and there is loss.
Ce n'etait pas nous les sauvages (We Were Not The Savages: A Mi'kmaq Perspective on the Collision between European and Native American Civilizations) is written by Danie N. Paul, Mi'kmaq historian, and translated into French by Jean-François Cyr. The cover artwork is by Leonard Paul. Daniel Paul was born on the Indian Brook Reserve in Nova Scotia. He worked for the Department of Indian Affairs as a District Superintendent of Lands, and also served with the Confederacy of Mainland Micmacs.