This Place: 150 Years Retold includes a variety of historical and contemporary stories that highlight important moments in Indigenous and Canadian history. It introduces students to the unique demographic, historical, and cultural legacy of Indigenous communities, and explores acts of sovereignty and resiliency.
Mi'kmaq Campfire Stories of Prince Edward Island by Julie Pellissier-Lush, Mi'kmaq, and art by Laurie Martin, are Mi’kmaq stories of medicines in nature, hunting on the land and fishing in the waters of the sea. These stories pass on traditions, songs, language and the culture of the Mi’kmaq.
Humane is by Anna Marie Sewell, of Mi’gmaq, Anishinaabe, and Polish heritage. In Humane the question is asked: Who steals a dog from a shelter after receiving a dream message from their grandmother? Hazel Lesage never expected it to be her. Then again, she didn't plan on becoming an unlicensed PI, helping the 'throwaway people.' However, much has changed in Amiskwaciy, the problem of poor Indigenous women and girls being expendable hasn't. Nobody else is going to help the Augusts find out who killed their daughter Nell; so Hazel takes the case. And then she takes the dog.
Swift Fox All Along by Rebecca Thomas, Mi’kmaw and registered with Lennox Island First Nation, and Illustrated by Maya McKibbin, Ojibwe, Yoeme and Irish, asks what it means to be Mi’kmaq. In Swift Fox All Along, Swift Fox looks for the answer and wonders if she will ever feel like part of her family. When Swift Fox’s father picks her up to go visit her aunties, uncles, and cousins, her belly is already full of butterflies. And when he tells her that today is the day that she’ll learn how to be Mi’kmaq, the butterflies grow even bigger.
I'm Finding My Talk by Rebecca Thomas (Mi’kmaw) is a response poem to I Lost My Talk, which is one of Rita Joe's most influential poems and tells this Mi'kmaw Elder's story of losing her Mi’kmaw language while at residential school in Shubenacadie, Nova Scotia. The vivid and colour illustrations are by Mi'kmaw artist Pauline Young and compliment the poem beautifully again.
I Lost My Talk is one of Rita Joe's most influential poems and tells this Mi'kmaw Elder's story of losing her Mi’kmaw language while at residential school in Shubenacadie, Nova Scotia. The vivid and colour illustrations are by Mi'kmaw artist Pauline Young and compliment the poem beautifully. This poem is directed at those who took Rita Joe’s talk away when she was a little girl replacing her language with their own and in asking to find her talk again this acclaimed poem is created. A short history of residential schools and a brief note about Rita Joe is included.
This colouring book is part of the Connecting with Our First Family / gaa-izhi-azhenaadiziyang nindinimaaganinaan: series. This book is published by TakingITGlobal Connected North program in partnership with Indigenous Artist and Visual Story Teller, Nyle Johnston of Miigizi Creations. The purpose of the project is to support students and educators in the process of understanding the Anishinaabe Nation, strengthening identity and culture, Ojibwe language revitalization and community development.
Tracing Ochre: Changing Perspectives of the Beothuk is an edited and multi- and inter-disciplinary volume by Fiona Polack. Tracing Ochre is a collaborative work of Indigenous and non-Indigenous thinkers who have a shared conviction that the present conceptions of Newfoundland and Labrador’s Beothuk requires redressing. Colonial mentalities about the Beothuk has created problems for Indigenous Peoples there and between Indigenous and non-Indigenous peoples in Canada as a whole.
tawâw, progressive Indigenous cuisine, by Shane Chartrand, Cree/Metis/Mi'kmaw, is the result of his years spent years learning about his history, visiting with other First Nations peoples, gathering and sharing knowledge and stories, and creating dishes that show his diverse interest and unique personality. This book contains 75 recipes and is part cookbook, part exploration of ingredients and techniques. tawâw is filled with ideas, education, recipes and inspiration.
The Train is written by Jodie Callaghan, a Mi’gmaq woman from Listuguj First Nation in Gespegewa’gi near Quebec. The Train is illustrated by Georgia Lesley. This is story of a young girl, Ashley who is slowly walking back from school when she meets her Uncle. He is sad. He tells Ashley his story of first going to residential school and the important lesson of knowing where you come from. This story is colourfully illustrated yet invokes the sadness that Ashley and her Uncle feel. It is also descriptive with a short glossary of Mig’maq words.