Space-Time Colonialism Alaska's Indigenous and Asian Entanglements by Juliana Hu Pegues discusses the geopolitics of Alaska as an indispensable context for examining the form and function of American colonialism, particularly in the shift from western continental expansion to global empire. Four key historical periods in U.S.-Alaskan history: the Alaskan purchase, the Gold Rush, the emergence of salmon canneries, and the World War II era. In each, Hu Pegues recognizes colonial and racial entanglements between Alaska Native peoples and Asian immigrants.

Hope Matters, written by multiple award-winner Lee Maracle, in collaboration with her daughters Columpa Bobb and Tania Carter, members of the Sto:lo Nation, focuses on the journey of Indigenous people from colonial beginnings to reconciliation. Maracle states that the book, "is also about the journey of myself and my two daughters." During their youth, Bobb and Carter wrote poetry with their mother, and eventually they all decided that one day they would write a book together. This book is the result of that dream.

Carrying the Burden of Peace: Reimagining Indigenous Masculinities Through Story by Sam McKegney, settler scholar of Indigenous literatures, asks whether critical examination of Indigenous masculinities can be an honour song—one that celebrates rather than pathologizes; one that seeks diversity and strength; one that overturns heteropatriarchy without centering settler colonialism.

Dylan Robinson is a xwélméxw (Stó:lō) writer, Canada Research Chair in Indigenous Arts, and associate professor at Queen’s University in Kingston, Ontario. Hungry Listening is the first book to consider listening from both Indigenous and settler colonial perspectives, presenting case studies on Indigenous participation in classical music, musicals, and popular music. A critical response to what has been called the “whiteness of sound studies,” Dylan Robinson evaluates how decolonial practices of listening emerge from increasing awareness of our listening positionality.

Secwepemc Nation (Shuswap) author Garry Gottfriedson's Clinging to Bone digs into the marrow, heart and soul of the human condition. Looking deeply into the Secwepemc (Shuswap) world of today, he examines betrayal, grief, love and survival. He states, "the broken winged sparrows are lost in flight, surviving starvation in the empty belly of wind." In "Foreigner" he describes how "my skin is the scent of Secwepemcúlucw / a rez Indian, a foreigner / in my own homeland / can you imagine that?" (where "Secwepemcúlucw" means land of the Shuswap).

Indigenous Celebrity: Entanglements With Fame, speaks to the possibilities, challenges, and consequences of popular forms of recognition, critically recasting the lens through which we understand Indigenous people’s entanglements with celebrity. Edited by Jennifer Adese, otipemisiw/Métis and  Robert Alexander Innes, a member of Cowessess First Nation, Indigenous Celebrity presents a wide range of essays that explore the theoretical, material, social, cultural, and political impacts of celebrity on and for Indigenous people.

My Indian by Saqamaw Mi'sel Joe, LL. D, CM, has been the District Traditional Chief of Miawpukek First Nation since 1983, appointed by the late Grand Chief Donald Marshall. Mi’sel Joe is considered the Spiritual Chief of the Mi’kmaq of Newfoundland and Labrador. The secon author is Sheila O'Neill, B.A., B.Ed., from Kippens, NL, and member of Qalipu Mi’kmaq First Nation. Sheila is a Drum Carrier and carries many teachings passed down by respected Elders.

Colonialism's Currency: Money, State, and First Nations of Canada, 1820-1950 by Brian Gettler, is about how money, often portrayed as a straightforward representation of market value, is also a political force, a technology for remaking space and population. This was especially true in nineteenth- and twentieth-century Canada, where money - in many forms - provided an effective means of disseminating colonial social values, laying claim to national space, and disciplining colonized peoples.

mahikan ka-onot by Duncan Mercredi, who was born in Misipawistik (Grand Rapids) Manitoba to a Métis father and Cree mother; and edited by Warren Cariou, who was born in Meadow Lake, Saskatchewan into a family of Métis and European heritage. is a collection of Duncan Mercredi's poems from 1991 to recent unpublished poems.

Thanks for Giving is a play by Kevin Loring, a member of the Nlaka’pamux First Nation in Lytton, B.C. and Nan’s family is home for Thanksgiving, but some unsolicited truths are about to be dropped at the dinner table. Old wounds and new realities collide, and sibling rivalry is stoked, but the enduring spirit that guides this family charges on, ever fierce. Thanks for Giving offers plenty to chew on.