Our History is the Future: Standing Rock Versus the Dakota Access Pipeline, and the Long Tradition of Indigenous Resistance is written by Nick Estes, a citizen of the Lower Brule Sioux Tribe and co-founder of Red Nation. Our History is the Future, is the story of a small protest encampment at the Standing Rock Reservation in North Dakota, which was initially established to block construction of the Dakota Access oil pipeline. This protest grew to be the largest Indigenous protest movement in the twenty-first century.

Ce n'etait pas nous les sauvages (We Were Not The Savages: A Mi'kmaq Perspective on the Collision between European and Native American Civilizations) is written by Danie N. Paul, Mi'kmaq historian, and translated into French by Jean-François Cyr. The cover artwork is by Leonard Paul. Daniel Paul was born on the Indian Brook Reserve in Nova Scotia. He worked for the Department of Indian Affairs as a District Superintendent of Lands, and also served with the Confederacy of Mainland Micmacs.

Dans Le Grand retour: Le réveil autochtone par John Ralston Saul et traduit par Daniel Poliqui, nous raconte l’histoire du Canada de manière que nous puissions mieux comprendre le présent – et mieux préparer l'avenir. Il y a toujours une bonne part d’inconfort dans les « moments historiques », nous prévient John Saul en nous exhortant à embrasser et à soutenir la résurgence des peuples autochtones sur la scène politique.

This Place: 150 Years Retold includes a variety of historical and contemporary stories that highlight important moments in Indigenous and Canadian history. It introduces students to the unique demographic, historical, and cultural legacy of Indigenous communities, and explores acts of sovereignty and resiliency.

In this deeply engaging oral history, Doug Williams, Anishinaabe elder, teacher and mentor to Leanne Betasamosake Simpson, recounts the history of the Michi Saagiig Nisnaabeg, tracing through personal and historical events, and presenting what manifests as a crucial historical document that confronts entrenched institutional narratives of the history of the region.

Crooked Hallelujah by Kelli Jo Ford, a citizen of the Cherokee Nation of Oklahoma, follows four generations of Cherokee women across four decades. It’s 1974 in the Cherokee Nation of Oklahoma and fifteen-year-old Justine grows up in a family of tough, complicated, and loyal women, presided over by her mother, Lula, and Granny. After Justine’s father abandoned the family, Lula became a devout member of the Holiness Church — a community that Justine at times finds stifling and terrifying.

Spirit Bear: Echoes of the Past is a picture book in the Spirit Bear series written by Order of Canada recipient Cindy Blackstock (Gitxsan Nation) and illustrated by Spotted Fawn Productions (SFP) founded in 2010 and incorporated in 2014 by Michif Owner/Director/Producer Amanda Strong. For the past 13 years, Spirit Bear has been working hard to make sure First Nations children get the help they need when they need it so they can grow up safely with their families, get a good education, and be healthy and proud of who they are. It’s been a long journey, and Spirit Bear needs a vacation!

The Trading Tree was written by Nancy Cooper, a band member of the Chippewas of Rama First Nation, illustrated by Heather Charles, a member of the Chippewas of Georgina Island First Nation, and translated by Myrtle Jamieson (Waaseyaankwot Kwe). Photographs for the book were taken by local photographer and designer Milena Vujanovic.

Indians on Vacation is a novel by Thomas King, Cherokee/Greek. In Indians on Vacation, meet Bird and Mimi. They are Inspired by a handful of old postcards sent by Uncle Leroy nearly a hundred years earlier, Bird and Mimi attempt to trace Mimi’s long-lost uncle and the family medicine bundle he took with him to Europe. This is the unforgettable tale of one couple’s holiday trip to Europe, where their wanderings through its famous capitals reveal a complicated history, both personal and political.
 

Dammed: The Politics of Loss and Survival in Anishinaabe Territory is by Brittany Luby, (Anishinaabe-kwe, atik totem) who is the many-greats granddaughter of Chief Kawitaskung, an Anishinaabe leader who signed the North-West Angle Treaty of 1873. Dammed explores Canada’s hydroelectric boom in the Lake of the Woods area. It complicates narratives of increasing affluence in postwar Canada, revealing that the inverse was true for Indigenous communities along the Winnipeg River. "Dammed" makes clear that hydroelectric generating stations were designed to serve settler populations.