How Things Came to Be: Inuit Stories of Creation from Inhabit Media replaces their 2008 release, Qanuq Pinngurnirmata: Inuit Stories of How Things Came to Be. This 2015 release from Inhabit Media is a collection of nine traditional Inuit stories and legends retold in English by Rachel Qitsualik-Tinsley and Sean Qitsualik-Tinsley.

This Accident of Being Lost by Michi Saagiig Nishinaabeg writer Leanne Betasamosake Simpson, is a collection of stories and songs of decolonized reality, one that circles in and out of time and resists dominant narratives or comfortable categorization. The Accident of Being Lost blends elements of Nishnaabeg storytelling, science fiction, contemporary realism, and the lyric voice, 

Salt Baby by Falen Johnson, Mohawk and Tuscarora from Six Nations, is the story of Salt Baby who never quite fit in growing up on the Six Nations reserve. Salt Baby navigates the reserve and the city while explaining herself, as well as her blood quantum, to the world.

The Night Watchman by Louise Erdrich, an enrolled member of the Turtle Mountain Band of Chippewa Indians, is based on the author Louise Erdrich’s grandfather who worked as a night watchman and carried the fight against Native dispossession from rural North Dakota all the way to Washington, D.C. This powerful novel explores themes of love and death with lightness and gravity and unfolds with the elegant prose, sly humor, and depth of feeling of a master craftsman.

In Search of April Raintree is the story of two Métis sisters growing up in Winnipeg, Manitoba. After the girls are removed from their family, they are sent to separate foster homes. Métis writer Beatrice Culleton Mosionier recounts their struggle with loss, violence, racism, and search for identity in this moving narrative. This novel has become an important text in recent Canadian literature. This new critical edition includes the complete text of the novel and ten original essays.

Love After the End edited by Joshua Whitehead, Oji-Cree/nehiyaw, Two-spirit, Indigiqueer member of Peguis First Nation (Treaty 1), is an anthology of queer Indigenous speculative fiction. This groundbreaking fiction collection showcases a number of new and emerging 2SQ (Two-Spirit and queer) Indigenous writers from across Turtle Island. These visionary authors show how queer Indigenous communities can bloom and thrive through utopian narratives that detail the vivacity and strength of 2SQness throughout its plight in the maw of settler colonialism's histories.

Land-Water-Sky / Ndè-Tı-Yat’a by Katłıà, a Dene woman from the Northwest Territories is the story of a vexatious shapeshifter who walks among humans. Shadowy beasts skulk at the edges of the woods. A ghostly apparition haunts a lonely stretch of highway. Spirits and legends rise and join together to protect the north.

Le baiser de Nanabush est écrit par Drew Hayden Taylor, Ojibwe et traduit par Eva Lavergne de l'anglais Motorcycles and Sweetgrass, A Novel. Rien ne se produit jamais dans la réserve anishinabe de Lac-aux-Loutres. Enfin, jusqu’à l’arrivée d’un séduisant étranger aux cheveux blonds porté par une rutilante moto Indian Chief 1953. Les intentions du bellâtre sont d’autant plus mystérieuses que celui-ci semble connaître la communauté sous toutes ses coutures. Si la cheffe Maggie tombe instantanément sous son charme, son fils Virgile est beaucoup moins enthousiaste.

Ligne brisée est écrit par Katherena Vermette, Métis, et traduit par Mélissa Verreault. Lorsque qu’une jeune Métisse est victime d’une violente agression, les contrecoups se font sentir dans toute la communauté du quartier North End de Winnipeg. Policiers chargés de l’enquête, famille, amis et connaissances voient leurs certitudes ébranlées à mesure que se précise le fil des évènements. Entre les femmes qui se relaient au chevet de l’adolescente et celles qui errent dans l’ombre, au dehors, des liens puissants se dessinent, esquissant le portrait d’une identité morcelée.

The Only Good Indians by Blackfeet Native American author of experimental fiction, horror fiction, crime fiction, and science fiction, Stephen Graham Jones, seamlessly blends classic horror and a dramatic narrative with sharp social commentary. The Only Good Indians follows four American Indian men after a disturbing event from their youth puts them in a desperate struggle for their lives. Tracked by an entity bent on revenge, these childhood friends are helpless as the culture and traditions they left behind catch up to them in a violent, vengeful way.