In Good Relation: History, Gender, and Kinship in Indigenous Feminisms, edited by Sarah Nickel, Secwépemc, and Amanda Fehr is divided into three thematic sections: Broadening Indigenous Feminisms looks beyond established categories and spaces to consider historical expressions of Indigenous feminism, transnational and regional experiences, violence, representation, and resistance; Queer, Two-Spirit, Transgender Identities and Sexuality envisions Indigenous feminism as a concept with wide ranging applicability through intersections with Indigenous queer studies; and, Multi-generational Femin
Thanku is a poetry anthology, edited by Miranda Paul and illustrated by Malena Myles, Spirit Lake Dakota/Mohegan/Muscokee Creek. Thanku explores a wide range of ways to be grateful with poems by a diverse group of contributors, including Joseph Bruchac, Margarita Engle, Cynthia Leitich Smith, Naomi Shihab Nye, Charles Waters, and Jane Yolen. There are colour illustrations, an illustrator and author's note, author biography and original artwork.
Take the Mic is edited by Bethany Morrow and is an anthology of fictional short stories, poems, prose and art that reflect a slice of the varied and limitless ways that readers like you resist every day. Take the Mic's powerful collection of stories features work by literary luminaries and emerging talent alike, including Newbery-winner Jason Reynolds, New York Times bestseller Samira Ahmed, anthologist and contributor Bethany C. Morrow, Darcie Little Badger (Lipan Apache), Keah Brown, Laura Silverman, L.D.
An American Sunrise by Joy Harjo, Mvskoke, and first Native American Poet Laureate of the United States, is an anthology of poetry informed by her history and connection to the land. Mvskoke people were forcibly removed from their original lands east of the Mississippi to Indian Territory, now part of Oklahoma. Joy Harjo returns to these lands and opens up a dialogue with history through her personal life stories through poems.
Devil in the Woods, by D.A. Lockhart of the Moravian of the Thames First Nation, is a series of letter and prayer fictional and real poems addressed to Canadian figures. The 69 poems are addressed to Shawn Atleo, Pierre Berton, Steve Wojeck, Margaret Atwood, Sarah Polley, K.D. Lang, Robertson Davies, and Don Cherry, among others, making these poems personal, conversational, approachable and capturing voice.
I'm Finding My Talk by Rebecca Thomas (Mi’kmaw) is a response poem to I Lost My Talk, which is one of Rita Joe's most influential poems and tells this Mi'kmaw Elder's story of losing her Mi’kmaw language while at residential school in Shubenacadie, Nova Scotia. The vivid and colour illustrations are by Mi'kmaw artist Pauline Young and compliment the poem beautifully again.
I Lost My Talk is one of Rita Joe's most influential poems and tells this Mi'kmaw Elder's story of losing her Mi’kmaw language while at residential school in Shubenacadie, Nova Scotia. The vivid and colour illustrations are by Mi'kmaw artist Pauline Young and compliment the poem beautifully. This poem is directed at those who took Rita Joe’s talk away when she was a little girl replacing her language with their own and in asking to find her talk again this acclaimed poem is created. A short history of residential schools and a brief note about Rita Joe is included.
Treaty # by Armand Garnet Ruffo, Ojibwe, is a collection of poems arranged in three parts: Impetus Ungainly, Travelogue Sightline and Boreal Investigative. Each part uses poetry to address historical and contemporary moments broadly related to treaties and inspired by the author's many experiences and writing contexts. Impetus Ungainly, Treaty No.9, begins with a poem, Doctrine of Discovery but with a twist. The Claim, #1: Red Space, #2: White Space, Material World and Red is a Poem are some of the poems in part one.
77 Fragments of a Familiar Ruin by Thomas King (Cherokee and Greek), an award winning novelist, short story writer, scriptwriter, and photographer, presents his first collection of poems. In 77 Fragments of a Familiar Ruin, Thomas King uses 77 poems to delve into personal, historical and contemporary issues that have affected Indigenous peoples. He does this through his interpretation of Creation stories. The poems reflect and often refer to previous poems as the past, present, future, past... and so critiques the circularity of past and contemporary issues.
Nokum is My Teacher is a picture book that effectively explains about teachings from grandmother, Nokum, told in English and Cree. Allen Sapp's remarkable oil paintings illustrate this sensitive book about the importance of Elders. Grandson asks his grandmother about the importance of attending school and learning how to read. Grandmother provides gentle teachings about respect for the culture of the Cree and advises the boy about understanding the world around him as well as his community. Bouchard uses lyrical dialogue between Nokum and grandson that is thoughtful and loving.