Decolonizing and Indigenizing Education in Canada edited by Sheila Cote-Meek, an Anishnaabe-Kwe from the Teme-Augama Anishnabai, and Taima Moeke-Pickering, Maori of the Ngati Pukeko and Tuhoe Tribes from Aotearoa - New Zealand, is an expansive collection exploring the complexities of decolonization and indigenization of post-secondary institutions.
The Boy From Pickerel Lake by Steve Barse, Dakota, is a fictionalized biography chapter book about a young Dakota High School basketball star. Set in the early 1930s, this novel is the inspiring story of Bill Sheldon who grew up on the Lake Traverse reservation. He escapes the oppressive Bureau of Indian Affairs boarding school and becomes the only Native high school player in Waubay, South Dakota. This story is based on the life story of Harold Barse, the author’s father.
Intimate Integration: A History of the Sixties Scoop and the Colonization of Indigenous Kinship, by Allyson Stevenson, Métis, privileges Indigenous voices and experiences, by documenting the rise and fall of North American transracial adoption projects, including the Adopt Indian and Métis Project and the Indian Adoption Project. The author argues that the integration of adopted Indian and Métis children mirrored the new direction in post-war Indian policy and welfare services.
Signée par Sylvie Nicolas, cette traduction du recueil d’essais et de chroniques humoristiques de Drew Hayden Taylor, The Best of Funny, You Don’t Look Like One (Theytus Books, 2015), permet aux francophones de découvrir pour la première fois l’œuvre unique de l’auteur ojibwe. Après avoir fait rire (et réfléchir) de nombreux lecteurs grâce aux quatre tomes de Funny You Don’t Look Like One, Taylor a choisi de rassembler ses meilleurs textes en tant qu’observateur ojibwe aux yeux bleus.
From the Roots Up is the second volume in the Surviving the City series by Tasha Spillett-Sumner (she/her/hers who draws her strength from both her Nehiyaw and Trinidadian bloodlines, and illustrated by Natasha Donovan (she/her/hers) a self-taught illustrator from Vancouver, British Columbia. In From the Roots Up, Dez and Miikwan’s stories continue. Dez’s grandmother has passed away. Grieving, and with nowhere else to go, she’s living in a group home.
In Good Relation: History, Gender, and Kinship in Indigenous Feminisms, edited by Sarah Nickel, Secwépemc, and Amanda Fehr is divided into three thematic sections: Broadening Indigenous Feminisms looks beyond established categories and spaces to consider historical expressions of Indigenous feminism, transnational and regional experiences, violence, representation, and resistance; Queer, Two-Spirit, Transgender Identities and Sexuality envisions Indigenous feminism as a concept with wide ranging applicability through intersections with Indigenous queer studies; and, Multi-generational Femin
Peace and Good Order: The Case for Indigenous Justice in Canada is by author Harold R. Johnson, a member of Montreal Lake Cree Nation and previously a defense councillor and Crown prosecutor. Peace and Good Order is part of the text of the British North American Act of 1867 and reinterpreted through later statutes to grant the power to maintain peace and good order. In this work the peace and good order and good government is seen in the relationships with Treaty 6 and other Nations, between Treaty 6 Nations and others residing and/or passing through treaty land.
I Can Make This Promise by Christine Day (Upper Skagit) is the journaling story of Edie who wonders where her name actually comes from. After finding photos and letters in her attic with her friends, twelve-year old Edie is on a quest to find out why she is named after glamourous Edith Graham. The mystery begins to unravel amidst challenging and new friendships. A keen artist, Edie paints to find the beauty others have missed in her landscapes when she begins to include her people who lived in the area previously.
In My Own Moccasins: A Memoir of Resilience by Helen Knott, Dane-Zaa and Metis/Cree is a three part memoir in her dreamless void, the in-between and the healing. The memoir follows the life of Helen Knott through her childhood, describing life during school especially after eighth grade, and as a young woman on her red road journey through rape, alcoholism and drug addiction. It is her journey of darkness through which she questions her selfhood, ancestry, faith, and existence.
If I Go Missing is a graphic novel based on a letter written by 14 year old Brianna Jonnie to the Winnipeg Police Service. The text of If I Go Missing is by Brianna Jonnie, Ojibwe, with Nahanni Shingoose, Ojibwe and Irish, and art by Neal Nshannacappo, Nakwe (Saulteaux). This graphic novel begins with a quote from the United Nations Declaration on the Rights of Indigenous Peoples and the right of Indigenous women and children to be free from all forms of violence and discrimination.