Ligne brisée est écrit par Katherena Vermette, Métis, et traduit par Mélissa Verreault. Lorsque qu’une jeune Métisse est victime d’une violente agression, les contrecoups se font sentir dans toute la communauté du quartier North End de Winnipeg. Policiers chargés de l’enquête, famille, amis et connaissances voient leurs certitudes ébranlées à mesure que se précise le fil des évènements. Entre les femmes qui se relaient au chevet de l’adolescente et celles qui errent dans l’ombre, au dehors, des liens puissants se dessinent, esquissant le portrait d’une identité morcelée.

The Evolution of Alice is a reissued edition of The Evolution of Alice previously published in 2014. The author is David Alexander Robertson, of Swampy Cree heritage. This reissue features a new chapter by the author and a foreword by Shelagh Rogers. In this story, Alice is a single mother raising her three young daughters on the rez where she grew up. Life has never been easy, but she's managed to get by with the support of her best friend, Gideon, and her family.

Indigenous Women’s Theatre in Canada: A Mechanism of Decolonization by Sarah MacKenzie, an Anishinaabe/Métis/Scottish, feminist scholar and activist, writes that despite a recent increase in the productivity and popularity of Indigenous playwrights in Canada, most critical and academic attention has been devoted to the work of male dramatists, leaving female writers on the margins.

How We Go Home: Voices from Indigenous North America, is edited by Sara Sinclair, an oral historian of Cree-Ojibwa and German-Jewish descent.

Highway of Tears by Jessica McDiarmid (paperback ed.) is an account of Indigenous women and girls who have gone missing or have been found murdered through stories of their lives .The 725-kilometre stretch of highway in British Columbia known as Highway of Tears or Highway 16, includes the River Skeena, and has sparked a national crisis of tragedy and travesty for the missing and murdered women and girls who are associated with it.

Rougarou is the French translation of Empire of Wild by Cherie Dimaline, Metis; traduit par Lori Saint-Martin et Paul Gagné. Dans Rougarou Joan a le cœur brisé. Voilà plus d’un an qu’elle s’épuise à chercher son mari, Victor, qui a disparu dans la nuit dès leur première dispute, le soir où il a suggéré de vendre à des promoteurs la terre ancestrale qu’elle a héritée de son père. Depuis, elle sillonne les routes de la baie Géorgienne, bien décidée à savoir si Victor est mort ou s’il l’a simplement laissé tomber, comme le pensent sa famille et tout le village métis d’Arcand.

Fighter in Velvet Gloves: Alaska Civil Rights Hero Elizabeth Peratrovich, is the story of how Elizabeth Peratrovich came to give a speech that helped Alaska lead all of America in the battle for civil rights. This book is written by Annie Boochever in consultation with Elizabeth Peratrovich’s eldest son, Roy Peratrovich, Jr.(Tlingit) who read and edited each revision of his mother’s story.

Humane is by Anna Marie Sewell, of Mi’gmaq, Anishinaabe, and Polish heritage. In Humane the question is asked: Who steals a dog from a shelter after receiving a dream message from their grandmother? Hazel Lesage never expected it to be her. Then again, she didn't plan on becoming an unlicensed PI, helping the 'throwaway people.' However, much has changed in Amiskwaciy, the problem of poor Indigenous women and girls being expendable hasn't. Nobody else is going to help the Augusts find out who killed their daughter Nell; so Hazel takes the case. And then she takes the dog.

The Narrows of Fear (Wapawikoscikanik) by Carol Rose GoldenEagle , Cree and Dene with roots in Sandy Bay, northern Saskatchewan, navigates the unsettling, but necessary. When love of, and respect for, culture goes awry, it is our Indigenous women who bring us back to what is important. This novel is an interweaving of stories centred on a range of characters, both male and female, though the women, for the most part, are the healers. Abused in their own communities or in residential schools, these women are smart and loving and committed to helping one another.

When We Were Alone by David A. Robertson, a member of Norway House Cree Nation and translated by Marsha Blacksmith, a member of Pimicikamak Cree Nation, and illustrated by Julie Flett, Cree-Métis author, illustrator, is an empowering story of resistance that gently introduces children to the history of residential schools in Canada. In When We Were Alone, a young girl notices things about her grandmother that make her curious. As she asks questions, her grandmother tells her about her experiences in a residential school.