The Diné Reader developed as a way to demonstrate both the power of Diné literary artistry and the persistence of the Navajo people. The volume opens with a foreword by poet Sherwin Bitsui, who offers insight into the importance of writing to the Navajo people. The editors then introduce the volume by detailing the literary history of the Diné people, establishing the context for the tremendous diversity of the works that follow, which includes free verse, sestinas, limericks, haiku, prose poems, creative nonfiction, mixed genres, and oral traditions reshaped into the written word.
This volume combines an array of literature with illuminating interviews, biographies, and photographs of the featured Diné writers and artists. A valuable resource to educators, literature enthusiasts, and beyond, this anthology is a much-needed showcase of Diné writers and their compelling work. The volume also includes a chronology of important dates in Diné history by Jennifer Nez Denetdale, as well as resources for teachers, students, and general readers by Michael Thompson. The Diné Reader is an exciting convergence of Navajo writers and artists with scholars and educators.
“The Diné Reader: An Anthology of Navajo Literature is extraordinary. It is the beauty of Diné bizaad from Creation’s horizon—K'é breath, heart, continuance—beyond measure. I advise it be read with and for Humility, Courage, Sustenance, Gratitude—always for the people, community, and land that is the source of Existence.”—Simon J. Ortiz
“This collection is like sitting in a circle with those Diné writers and poets who have long inspired many of us, especially those of us who grew up writing and listening in the Southwest, in the territory influenced by four sacred mountains that bear symbolic and literal significance to all things and thoughts Diné. In the inspirational gathering in these pages, we can hear many voices and feel how the land rises up beneath to embrace us with knowledge and beauty, and how it continues across the horizon to meet the sky. These voices include crucial roots of American literature.
The publication of Blackhorse Mitchell’s Miracle Hill made students at the Institute of American Indian Arts proud when it was published. It was a first. Grey Cohoe was also a student there and created art and writing with an intense focus and deliberate renderings based in his love of Diné bizaad. A few years later, into the seventies, Gloria Emerson and her knowledge of philosophy and arts shifted perceptions, grew fresh vision in times that were forcing the People away from themselves. Nia Francisco, Luci Tapahonso, Laura Tohe, Rex Lee Jim and many others made a distinct path through a beautiful and fracturing world to reach the forming world that would hold the children and grandchildren. And now we have the voices of those who emerged—from Sherwin Bitsui, Esther Belin, and Elizabeth Woody to Jake Skeets. This collection is essential to American literature and should be required for anyone studying American, First Nations, or world literature.”—Joy Harjo, U.S. Poet Laureate
Byron F. Aspaas | Tacey Atsitty | Shonto Begay | Tatum Begay | Esther G. Belin | Tiana Bighorse | Erik Bitsui | Sherwin Bitsui | Paige Buffington | Norla Chee | Grey Cohoe | Jennifer Nez Denetdale | Tina Deschenie | Gloria J. Emerson | Nia Francisco | Della Frank | Danielle Geller | Irene Nakai Hamilton | Rex Lee Jim | Roberta D. Joe | Hershman John | Rachel Heather Johnson | Manny Loley | Bojan Louis | Dwayne Martine | Blackhorse Mitchell | Irvin Morris | Natanya Ann Pulley | Jake Skeets | Luci Tapahonso | Michael Thompson | Laura Tohe | Orlando White | Elizabeth Woody | Venaya Yazzie